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Writing ‘whiteness’: Representing the Afrikaner in post-apartheid South Africa – a comparative study of Athol Fugard’s “Sorrows and Rejoicings” (2002) and Jason Xenopolous’ “Promised Land” (2002)

This paper interrogates the dramatic representation of white Afrikaner identity in two post-apartheid South African texts: Athol Fugard’s play, Sorrows and Rejoicing (2002) and Jason Xenopolous’ film, Promised Land (2002).

Article: Print


Article: Electronic